This course seeks to explore and examine the conceptual formation and practice of Free Improvisation.
The approach taken has a number of characteristics:
1. Focus, through music-making activities, on Free improvisation as a general human ability and ubiquitous practice.
2. Study the phenomenon and practice of Improvisation, via performing and responding activities, from a variety of extra/musical points of view.
3. Enabling students, from a variety of disciplines models to experiment and explore, to understand Free improvisation as a holistic phenomenon, with accessibility, contemporaneity and relevance to their undergraduate programme of study and beyond.